I was going to save this one for later, as this book is a HUGE inspiration for the Rosemary Saga. But with the announcement of Martin Scorsese helming the film version of this amazing story, I had to change my plans and bring this to you now!
Brian Selznick’s The Invention of Hugo Cabret


The Invention of Hugo Cabret
is a book that found me, before I had any idea of it’s existence.
It was just a couple of days after the new year’s that a friend of mine asked me for lunch and for once I wasn’t late, I was the first one there for the matter of fact.
There was a bookstore on the same block where the restaurant was, so there I went.
As usually happens these days, I started my exploration of the bookstore by the children book area. Just a couple of steps in and I was mesmerized by the size of the book ahead of me. A behemoth. Sporting 544 pages, it felt bigger than the last couple of Harry Potter books, and those ones were big tomes. I pick it up and I was awestruck by the structure of the book, to the hell with it, I was struck by everything on that book. The drawings, the way the text was separated and was not used as subtitle of the illustrations. It was like the heavens sent me a message and the book was acquired as fast as you can say credit card. If you don’t believe me, take a look by yourself
The book laid low for a couple of days by my office desk until a late night came, and without the ability to sleep I started, and finish, my adventure into the world of Hugo Cabret and his little room on the Montmartre station in the Paris of 1930’s. For those of you that don’t know who Hugo is, here’s a look at the lad
The book is divided into two2 parts. On the first we follow Hugo and his quest to fix an old and beaten up automaton. The robotic man was left behind by his father when he died, leaving Hugo an orphan. Hugo is sure that when he fixes the machine a message from his late father will appear. On his journey, he meets a grumpy old man that owns a magic/toy shop in the station, which Hugo goes to for spare parts for his project , the station police officer and the old man’s granddaughter. On the end Hugo does find a message. A message that shook he, and me, both. It wasn’t text, it was an image. There once was a filmmaker, a genius and a pioneer, that started it all for us. And this image is a homage to this man legacy. I won’t spoil who he’s, cause I’m gonna write a post on him in the future, but here’s a hint:
On part two, we found out what happened to the man and his works. And this actually flipped me. Knowing nothing about the book before hand and encountering this tale about one of my favorite human beings. It was mind blowing.
Also, today I discovered that Brian Selznick is related to the great David O. Selznick. If you don’t know who he is, that fine. I know, cause he helped me shape me. He was producer of such films as Gone with the Wind
, A Tale of Two Cities
and my personal favorite film King Kong
(which will also receive a special one post treatment soon). That was what sealed to me. Brian’s work helped me find my voice and lead me to finish this book. He’s family helped me to become who I’m, as an artist and as a person.
If you wanna learn some more about the book, clike here to go to the official site!
Facta, non verba,
m.